Every day I got to the convention super early and checked in with Artist Alley registration to see if a table opened up. And Saturday morning IT HAPPENED! I couldn't believe it! Little did I know, SDCC's Artist Alley is notoriously difficult to get into, with the waiting list being "years long." It's complicated to explain exactly how I was able to get this table, but it was a combination of being qualified, prepared, persistent, some tips from the inside, and some luck! If one of these aspects had gone wrong, I may not have gotten in, but I guess it was meant to be!
I realized that SDCC's Artist Alley is different than other artist alleys because it's made up of mostly old pros that have had major industry work for like decades! I was right next to Len Wein, creator of Wolverine and other X-men characters! Ken Penders, one of my heroes from Sonic the Hedgehog, was also tabling. So there were giants like these, and then... me, somehow! :PI was sketching up a storm though, and was successful enough to pay for that plane ticket + more :) There was lots of encouragement among the rest of the artists, with words like "good luck, kiddo!" and I did feel like I fit in there more. Oh Katie Cook was in the row right behind me! Her career has grown so much over the years, she's very inspiring! So it looks like the next generation of cartoonists is on the rise at SDCC.
Overall, I had the most ideal experience this year at SDCC, with a great balance of fun, constructive folio reviews + networking, informative creator tips, and making $! If you're on the west coast and in the comics or animation industry, SDCC IS A MUST! If you're in the midwest, it's worth a road trip! If you're on the east coast and have a place to stay, the plane ticket is definitely worth it. If you don't have a place to stay, hey AirBnB is on the rise. It's cheaper if you stay farther from the convention and take the trolley. Hope to see you there next year!